DC's Countdown hits issue 36 this week. For those of you who haven't been paying attention, that doesn't mean we're 36 issues in. It means we have 36 left to go.Now that that's settled:
We begin this week with the Challengers of the Beyond (or Challengers of Beyond, or Challengers from Beyond, or Challengers from the Beyond. It's all kind of confusing, since they were named in convention panels rather than in the book, and there's several versions of the name circulating. Some direction here, please?)...
Um.
We begin this week with the Challengers of the Whatever, still down in the nanoverse, seemingly stuck and fighting a party of insectoid creatures. They're pretty much defeated, Atom can't reach his belt controls to shrink his way free, but he can reach... Eh?
Is it just me, or is there a slight gap in logic here?
Oh, and a mystery (and english-speaking) armored character holds the "bang stick" in question. How? Where is the character speaking from? The visible forearm appears to be 'framed' by, um, tree limbs? The perspective of the scene makes it appear that he (?) is watching them on a screen (or in some sort of scrying portal). I'm wondering whether Giffen's layouts more clearly showed the character in front of a viewer and the penciller misinterpreted it. And the 'tree limbs'? There's indication in one panel (page 2, panel 2) that there's trees around, maybe. They could as easily be part of some floating rocks in this Brunner-inspired level. I'm deliberately not looking back to Countdown 37 to see whether there were trees around. If I have to do that to find out, the artist failed.
I've got a lot more criticisms of the art in this issue. I'll mention some elsewhere, but it looks like the artists just aren't very good. I'm sort of used to their slotting some second-tier artists into the mix on the weekly books, but this past two weeks we seem to be dredging down to the third-tier. I'm sorry if this offends anyone (mainly the artists in question and their wives and girlfriends), but it's true. They're just not ready for prime time -- a major book from one of the 'big two'.
At least this week we can see that the artists did render the book instead of tracing over the layouts. Some of the linework shows up a bit, well, strange. It's not that the artist has a quirky style, it's just a lack of experience. More on this later.
Aside from the art, nothing much has gone on with this plotline for a while. They've shrunk to a world which looks kinda like the Amazon-ish jungle where Ray Palmer used to live. They've shrunk from there to the Frank Brunner inspired cosmos where they got some hints to the Great Disaster. I know DC has faith in this 'team' -- there's a number of specials scheduled, and rumors of a regular monthly title later, so shouldn't they be having more happen than acting as a placeholder waiting for the specials?
Zatanna is still training Mary Marvel in magic, until Mary explodes over nothing. It turns into a major battle, tearing up Zatanna's house and unleashing various magical energies. Mary is operating on a level of pure emotion, not intellect, but there's more than that. It's not unlike Lindsay Lohan being told that she can't get plastered, do lines, and have semi-public sex on the riverboat in Disneyland. What's that you say? Reports are that she did just that? I'm sure it's just a pernicious rumor.
It's all about the sense of entitlement that means there's a blow-up when anyone tells her "no". She's been increasingly unstable since gaining Teth Amon's (Black Adam's) powers, but this time it's way over the top. Is it the levels of power that're hard to adjust to, or something intrinsic in the powers? You might think so, but no.
It's Eclipso. Jean Loring must have found her way free. Where did this happen? Is this a new development, or did I miss it in a title I don't read? She's manipulating Mary, freeing her from moral constraints and all maturity in her responses. Why? We'll find out, though I suspect this thread may yet converge with the impending Great Disaster plotline.
Speaking of which, last week the book was rife with foreshadowing. This week, nothing. It might be coincidence, but it reads to me like someone made the decision that they should be inserted last week to please the fans, and this week it's been forgotten. There's a lot of improvement in the pacing recently, but this seems awkward. The references, maybe, could be sprinkled a tad more evenly? Larding one issue with it, then dropping it next issue just seems clumsy.
There seems to be lots of folks around 'New Earth' who have more than an inkling of the Great Disaster and what it all means, but aside from cryptic comments they haven't shared their knowledge, even among the hero community. Why? There must be a damn good reason, but we haven't a clue what the reason might be.
Jimmy Olsen is living inside his own head, thinking he's about to be admitted to the Justice League of America. Dream on, Jimmy.The art here is particularly weak. Jimmy, when he's shown, looks 'flat'. I'm thinking this is another of those 'inexperienced artist' issues. It's as though the layouts called for certain perspectives, and the artist isn't quite up to the task of illustrating the shots. I'm really thinking DC needs to re-evaluate who they're assigning to the art duties on Countdown. They don't need to lock their A-list artists on the book (although it'd be fascinating to see), but they DO need to use artists who are at least competent. At the very least what about assigning inkers who are able (and authorized) to 'fix' the art when it falls short?
One nice touch, done by someone with a wicked sense of humor (whom I suspect to be Keith Giffen) is the 'Last Supper' arrangement of the JLA. Any significance to Batman being in the Jesus position?
Karate Kid and Una arrive at the hidden base of the 'legendary' Elias Orr. He was identified to me as being a former henchperson of Lex Luthor. Maybe so -- was he one of the scientists in 52? Here's another of those places where a scorecard is needed. I know they're resisting it fiercely (though they've done it at least once) but either editor's notes or a text page are needed to point readers to needed background info. They seem to feel it's both unnecessary and disruptive to the book, but it is really annoying when those moments arrive (in every issue to date) where we need to know more about who these people are and why we should care (and in some cases, how did they get into their current situation).
There's been a fair amount of criticism on the title, and DC (or at least Dan Didio) has been quite defensive about their handling of Countdown. I like the book a lot, but there are some things that need fixing (such as the art) and listening (and maybe even taking action) won't hurt. Don't be defensive. The criticism isn't to impress with our incisive wit, but to help evaluate and improve the book. Happy readers are ones who will return to spend more money on the product, so why not try and please them just a tad?
Maybe it's just the way the art was done in this issue, but there's more than a passing resemblance between Elias Orr and R. J. Brande. Given this is a Legion of Super-Heroes thread, that's an interesting coincidence.
There's no Holly Robinson / Harley Quinn segment this week, which is a bit of a shame, since the Holly segments and Piper / Trickster segments are my favorites.
Speaking of Piper and Trickster, they left off last issue as prisoners of Poison Ivy, and this issue they talk their way out of it by pretending to have been sent by her new (and unnamed) patron. They manage to string her along until the patron shows up, and boy, he's pissed!
It's Slade Wilson, aka Deathstroke, the Terminator.
This (along with the Holly / Harley plot) where I have no idea where the story is going. It doesn't look like it's going to lead into Salvation Run, but then again who knows?
