The tone of Countdown is evolving. No longer just a series of unconnected events, the story is finally moving forward. Karate Kid is told that whatever disease he has, it's either an alien virus or one from the future. Both, maybe?This sets Una off, with under her breath mutterings about the coming of the Great Disaster. We're seeing a lot of recent indications that it's upon us, and I suppose it's about time. as I recall, when Jack Kirby originally created stories involving the disaster, it was supposed to have arrived in August of 1984. If that's wrong, it's my swiss-cheesed memory to blame. But I'd swear I once read a story back in the Kirby era that set the Great Disaster for August 28, 1984. Any verification -- or corrections?
By the way, Oracle appears to have an MRI unit in her hidden base of operations. Even for the ultimate data geek, this seems a bit much. It's not like she used to be a physician or something (and even if she had been it would be a bit ludicrous). Barbara Gordon was a librarian who wound up in Washington as a congresscritter. Normally members of congress aren't known for keeping MRI gadgets in their offices. Even Bill Frist passed that opportunity by.
Oracle comes up with the dossier on a 'mythical' biotech whiz named Elias Orr, who just might be good enough to help Karate Kid. I'm not sure why, but that name feels like it should be ringing a bell somewhere. Does anyone recall seeing a character of that name somewhere in the past of DC or it's ancestor companies? (Fawcett, Charlton, Quality, Wildstorm, etc?)
Mary Marvel and Zatanna arrive at Zatanna's ancestral home, which seems to be a mixture of the House of Mystery and Hogwarts. Her home, Shadowcrest, seems to be designed along the Tardis lines, that is, much bigger on the inside than the outside. I almost expected to find Skeeve and Aahz backing through a door while escaping some sort of pickle.
I have to note, by the way, that throughout this issue, the women all seem to have overly-large eyes and big heads. I know that neotony is a commonly-used way to make characters seem more cute, but it's done to excess here. Zatanna, on page 5, goes from a raven-haired Mary Jane Watson to someone who's had about three times too much botox in the course of two panels. What happened here? I'm suspecting that someone tried following Keith Giffen's layouts a bit too slavishly, without drafting the characters themselves, and wound up thoughtlessly following lines that were never intended for a final rendering. Whatever happened, it looks grotesque.
(I should probably mention that the art accompanying this article is NOT from this issue of Countdown.)
Who Dat?Donna Troy, Jason Todd, Bob the Monitor, Jason Choi (aka The Atom) are now, I understand, considered to be the group Challengers of Beyond. The impression I'm getting is that, after Countdown, this may become it's own title. In the meantime, they've already announced some specials featuring the Challs.
Down at another level of the Palmerverse (which still sounds stoopid to me; anyone mind if I just settle for calling it the nanoverse?) they've found a group of, um, wizards who're performing some sort of ceremony. They chat with one (small) witch, who looks suspiciously like someone from the Levitz/Giffen Legion of Super-Heroes.
In short, Ray Palmer has been and gone, and now the Great Disaster is nearly here, which is why the wizards are scarpering off Right Now!
Piper and Trickster have a knack, doncha know, for being able to fall into a flower bed and end up deep in the fertilizer. That's actually an apt simile, because here they break into a greenhouse to steal vegetables (lo, see how the mighty have fallen) and discover it's the lair of Poison Ivy. As to the question, "what are the odds?", Trickster says it best. "This is Gotham! You can't swing a dead sidekick here without hitting a super-villain! We shoulda known the odds'd be pretty damn good!"
Speaking of Poison Ivy, her erstwhile partner, Harley Quinn is showing more signs that she's not over the thing that made her idolize and copy the Joker, she's just transferred her allegiance to Athena. There looks to be, possibly, a bit of a crush on Holly Robinson, as well.
Finally, Jimmy Olson is mulling over his attempt at joining the Teen Titans. Knowing it didn't go at all well, he tries to think through how his powers work. And, in mid-mull, he makes a discovery... He realizes that Clark Kent is Superman!
How? Dunno, but I'd guess it has much the same mechanism by which he knew who Jason Todd was when he saw the Red Hood.
The penciling in this issue is credited to "David Lopez with Mike Norton". Inks are "Don Hillman II with Rod Ramos" The only one here that's much familiar to me is Rod Ramos. I know he's better than what I'm seeing here. By and large I don't think the problem is with the inkers. The penciling, though, looks like someone just enlarged Keith Giffen's layouts and did a light penciling on top of them.
One strong indication is that a lot of things I'm seeing look much like Keith Giffen's type of raw layouts. A lot of the time, his layouts aren't so much drawn as cartooned, to give the person doing pencils an idea of what to draw. I'm seeing an awful lot of that bleeding through. Page 12 has a good example. In the first panel, Piper and Trickster are running, and Trickster is rendered like someone out of the old Mad, back when it was a comic. It looks like, instead of interpreting the layouts, they're tracing them and just adding detail, some of which isn't appropriate for a finished page. See again the Zatanna faces back on page 5.
Something needs to be done to prevent this in future issues. The art teams aren't having to race to do every issue, so why does the art look like it was done in incredible haste?
